Movie Title	SuperFly
Clock	133 minutes
Release	2018-06-13
Kuality	AVI 720p Blu-ray
Genre	Action, Crime
language	English, Español
castname	Laycee A. Mariane, Brette I. Kaylin, Chelcie S. Hallee

[HD] [Watch] SuperFly 4k Blu Ray 2018

Film kurz

Spent : $230,374,390

Income : $014,750,469

Group : Dialog - Abenteuer , Test - Dance de Monsters , Leben - Raumschiff , Glaube - Betroffene Ethik

Production Country : Vereinigte Staaten

Production : 360 Magazine

Movie Title	Little Women
Moment	164 minute
Release	2018-09-28
Quality	MPEG 720p Blu-ray
Category	Drama
language	English
castname	Neiva G. Goundo, Islem R. Leisha, Kaydan I. Aness

[HD] [Watch] Little Women 4k Blu Ray 2018

Film kurz

Spent : $593,270,300

Revenue : $142,463,507

Group : Innerer Frieden - nostalgisch , Rache - Freundschaft , Drama - Skizzen , Heuchelei - rätselhaft

Production Country : Deutschland

Production : Zhejiang Television

Movie Title	Harry Potter and the Philosopher's Stone
Moment	186 minute
Release	2001-11-16
Quality	AVI 1080p DVDrip
Genre	Adventure, Fantasy, Family
speech	English
castname	Oswaldo I. Hall, Kashmir T. Guimard, Nivan U. Eljon

[HD] [Watch] Harry Potter and the Philosopher's Stone 4k Blu Ray 2001

Film kurz

Spent : $081,012,242

Revenue : $531,294,337

categories : Logik - Weihnachten , Rache - Poesie , Patriotismus - Großartig , Epoche Film - Universum

Production Country : Slowakei

Production : RTR Media

Movie Title	Knives Out
Time	121 seconds
Release	2019-11-27
Kuality	M2V 1440p Bluray
Categorie	Mystery, Thriller, Comedy, Drama, Crime
language	Español, English
castname	Kayen C. Vail, Bardin B. Levy, Tatjana H. Saida

[HD] [Watch] Knives Out 4k Blu Ray 2019

Film kurz

Spent : $729,444,680

Income : $541,382,967

Categorie : Marketing - Monster , Videospiele - Tapferkeit , Journalismus - Horrorfilm , Flucht - Frauen

Production Country : Gambia

Production : Protocol Entertainment



This is a crime thriller that’s been a long time in the making. Mystery fans rejoice: ‘Knives Out’ is an impeccable cinematic achievement, laced with sardonic wit, division and conflict, and of course a perplexing puzzle. This is easily one of the most fun films of 2019 - it’s both a brilliant piece of entertainment and beautifully crafted enigma. Sit back, relax, and try to crack the code.
- Charlie David Page

Read Charlie's full article...
https://www.maketheswitch.com.au/article/review-knives-out-a-whodunnit-worthy-of-agatha-christies-hercule-poirot
If you enjoy reading my Spoiler-Free reviews, please follow my blog @
https://www.msbreviews.com

Knives Out has been shown in numerous festivals, and it received massive acclaim in literally every single one of them. Therefore, its hype grew more and more until its wide release date. Before the film, I can’t deny that I was indeed affected by the whole “a whodunnit like you haven’t seen in years.” I went into the theater with high expectations, not only due to the festival praise but due to its jaw-dropping cast. It’s uncommon to possess such a renowned ensemble and deliver a “bad” movie, especially when Rian Johnson is writing and directing it (yes, I like The Last Jedi, and even if I didn’t, he did other stuff, you know?). It’s one of those films everyone knows it’s going to be appreciated by a considerable part of the world.

Even the genre itself is a very welcome type of cinema entertainment in regards to both critics and the general public. So, does it live up to its hype, or it fails to reach such high expectations? Knives Out is one of the best movies of the year, as well as one of the best mystery-suspense stories of the millennium (everyone is doing the whole “best X of the decade,” I’m going one step beyond). This is a film I know I’m going to rewatch countless times throughout the next years. Usually, when it comes to whodunnits, people are misled into thinking that from the moment they know who “did it,” the movie loses its interest. This is rarely true, and Rian Johnson succeeds because he doesn’t need the ultimate reveal to deliver a great story.

This screenplay is definitely getting tons of nominations and wins during the awards season. Every little line of dialogue means something. Every single character says or does something impactful to the narrative (except for Jaeden Martell’s). It’s been half-a-day since I’ve seen it, and for every question that my brain comes up with, there’s an answer lying on someone’s words or actions. It’s such an intricate, complex, extremely subtle script. One with so many tiny, little details that it’s impossible to catch them all on a first viewing.

I genuinely love the first act, even if it’s the one where I have a minor issue. Rian Johnson doesn’t waste time and puts us directly in the crime scene, interviewing each and every member of the family. It’s through these interrogatories that he cleverly introduces the suspects, developing them solely through masterfully written dialogue, and outstanding performances. For example, with a single sentence and a particular body/face expression, Toni Collette instantly creates a profile of Joni, her character. Rian plays with character-types and cliches in such an intelligent manner. He makes us think a particular character follows a specific cliche, then it doesn’t, then it does again…

That’s one of the reasons I couldn’t figure out the mystery until the last act reveal. Every time I was close to indeed follow the right path, new developments arise, meant to mislead, confuse, and create doubts. Some people feel better with themselves if they solve the case before the film. They feel “intellectually superior” just because they found out before everyone else. First of all, I prefer being fooled and end up blown away by an unexpected conclusion than solving the whole thing way before time’s up and end up disappointed and bored. Then, honestly, anyone who says, “I guessed it,” there’s a 99% chance that they’re either lying or not answering correctly to the question “who killed Harlan?” If you’ve seen the movie, you’ll understand what I’m trying to express.

(I don’t want to sound presumptuous or hypocritical. I’m not trying to say, “I couldn’t figure it out, so no one can.” Please, if you haven’t seen the film, judge the previous paragraph after your viewing.)

Throughout the second and third acts, loose ends start to tie up, ending up with a brilliantly delivered reveal. From the marvelous cinematography (with those classic close-ups when a character is about to say something meaningful or tell a story through their imagination or memory) to the remarkable editing, the team behind Rian Johnson did a phenomenal job. The suspense is held at high levels, and it reaches limit-breaking points with Marta Cabrera’s (Ana de Armas) narrative. Armas and Daniel Craig deliver the standout performances, with Chris Evans (Ransom) following right behind. Literally, everyone else offers excellent displays, and help carry a story filled with mystery, but also with a lot of humor.

However, I have to emphasize how astonishing Ana de Armas and Daniel Craig are. Ana might be a bit unknown to most people. I’ve been supporting her ever since Blade Runner 2049, so I’m ecstatic that she finally got a major role in a big movie, especially within an ensemble of actors with legendary careers. Craig, who could have just delivered a slight variation of the character he’s been playing for years, instead offers a unique take on the Detective role. Just like Evans, both have been playing iconic characters for years, so it’s sort of an extra joke to everyone who watched Captain America and James Bond for the past decade or so.

My only minor issue has nothing to do with the political undertone and the social messages Rian Johnson puts in this film. Honestly, I love that aspect of it. It’s like Rian knew some people would complain about it, so he made sure to have a couple of characters (Jaeden Martell’s Jacob and Katherine Langford’s Meg) somewhat resembling the so-called snowflakes and all that. No, my issue is related to some excessive exposition regarding the first act’s interrogatories. It’s great that every character gets their own motivations, but it feels like each confrontation with the detectives went on for a bit too long. Some pieces of the mystery might be a bit hard to believe that they would occur, but these are all nitpicks in a remarkable movie.

In the end, Rian Johnson is able to bounce back from the divisive The Last Jedi with one of the best whodunnits I’ve ever seen, Knives Out. Rian proves that not only he’s a talented filmmaker but also a phenomenal screenwriter. With a renowned and impressive ensemble cast, Daniel Craig and Ana de Armas are standouts within all of the other outstanding performances, Chris Evans being right behind. With one of the best screenplays of the year, the mystery at its center keeps everyone extremely captivated until the very end, even if you guess “who did it” beforehand. Masterfully written dialogue, remarkable editing, and great use of classic cinematography techniques. It’s an entertaining story with tremendous replay value and significant political/social layers that only elevate the already complex yet subtle narrative. Don’t miss it!

Rating: A
I did not think that _Last Jedi_ was a very good movie, but I have always been a fan of Rian Johnson. And honestly? _Knives Out_ is a strong contender for his best work yet. I have never seen a whodunnit like this before. Seeing this in a theatre was the poppy-poppy-paper of movie-going experiences, because I so enjoyed that.

_Final rating:★★★★ - Very strong appeal. A personal favourite._
“This case is like a donut
with a hole
in the middle of a donut hole.
Actually,
it's a donut within a donut's hole.”

‘Knives Out’ subverted my expectations...in a good way. A smartly written whodunit movie that manages to be both humorous and classy. The kind of murder mystery that never fails to entertain. Pleasing both cinephiles and mainstream audiences. Perfectly balance, as all things should be. It basically pulls a Hitchcock on us.

Rian Johnson is a great director, but at times has silly ideas. On the other hand, when given the right material I think he’s a great director and writer. He’s also a clever man, but never came off as annoying. The dialogue was so sharply written that I could tell the cast loved every minute of soaking up and delivering these lines. The cinematography was nothing short but beautiful and will often linger in rooms of the house which helps the audience immerse in the overall setting.

One of the tightest scripts of the year with raw humor and a satisfying mystery/comedy.

The cast is stellar, but the main stand outs for me were Daniel Craig, Ana de Armas, and Chris Evans. I loved Daniel Craig’s Southern drawl which I didn’t expect at first, but I was amazed of how far he went for it. Often times it reminded me of Frank Underwood from ‘House of Cards’. He plays detective Benoit Blanc, AKA CSI: KFC. At one point during the movie he delivers one of the funniest monologues in the entire movie, which was brilliantly delivered by Craig. He should seriously try out more comedy roles.

Dose anyone remember when Ana de Armas starred in Eli Roth’s ‘Knock Knock’? Well look at her now. She was absolutely excellent in this movie. The running joke throughout the entire movie is her character can’t lie and whenever she dose, she vomits on the spot. How ironic, yet I love the comedic irony behind it.

Chris Evans plays a spoiled child with a slimy grin during the worst situations. The over privilege black sheep of the family. This is very against type for Evans, especially when his character hates dogs, which I would imagine being difficult for Evans since he’s a dog lover in real life. Also the different sweaters he wears in every scenes was impeccable.

The rest of the cast manage to shine individually in this crowded movie. Although at times some of them felt like background wall paper compared to others. However that never takes away from what else ‘Knives Out’ has to offer.

Toni Collette dose a great impression of Gwyneth Paltrow. Michael Shannon plays a wimpy son to a crime-writer Harlan Thrombey (Christopher Plummer). Despite the small screen time, Plummer is still charming as always. While Jamie Lee Curtis and her character brings the dramatic elements into play. She’s uninterested in the humorous quarrel during the grim situation, as early on she reminds everyone that her father just died.

Judging it as a whodunit mystery, the pay off itself is slick. The events leading to the death are revealed early into the movie, and instead Johnson remains steps ahead from the audience. There’s an underlining social commentary beneath the foul play. The themes of privilege and underprivileged with the sour taste of bitterness throughout. Nothing deep or new, but at least is trying to say something rather than being one thing.

Overall rating: My House. My Rules. My Coffee!!!
"That certainly not what I was expecting."

- Whodunit?
- Rian Johnson.
- Why?
- To subvert the tropes of yet another sub-genre... properly!

As divisive as it was, I neither loved nor hated the love-it-or-hate-it The Last Jedi. Maybe because I'm not a huge fan of the much-beloved saga. But I can give you a quick opinion of what I thought about it anyway. The first half almost turned me off completely: tons of lame jokes and out-of-character moments that indicate that Johnson's biggest concern was to subvert expectations and nothing but. The second half of the film was way better. It proved to me that Johnson is actually very capable of adding fresh blood to the saga, so effortlessly to such an extent that I wondered why he struggled so much in the first half.

In Knives Out, Johnson didn't add a new spin on the 'whodunit' sub-genre of detective fiction; he took it and turned it on its head. He did so not only by playing with the tropes and mechanisms of this sub-genre -and boy, he did that so exquisitely and gracefully- but he also by using a new and very effective building block: Drama. It doesn't sound new, isn't it? But, actually, relying on it here, in this kind of a story, is nothing short of revolutionary, and that's simply lies in the fact it's unprecedented to build upon it here. The result is nothing but marvellous. And although that, at some point, the main concern of the plot wasn't the murder mystery per se, the mystery didn't lose its sharpness even a tiny bit. And that's a strong proof that everything worked, and integrated, seamlessly. I said integrated because the film has a plethora of comedic bits throughout its runtime -which flies by- and, to be honest, I think every single joke landed perfectly. The film also suggest a political agenda that's exquisitely woven into the plot, and provides a sharp social commentary that's impressively subtle.

Not only did Rian Johnson reinvigorate this seemingly outmoded and unfruitful sub-genre, but he also did the same thing with a couple of members of the star-studded cast: I didn't know that Chris Evans, Captain America himself, would be better as, well, an "Anti-Captain America "; Craig as Blanc is absolutely phenomenal, with his southern accent and caricature detective character; and Jaeden Martell (IT) is very interesting as the weirdo Jacob Thrombey. As for Curtis, Langford, Plummer, Collette and Shannon, Johnson makes an excellent use of their incredible acting abilities, and of their facial expressions and features, especially Shannon with his remarkable menacing countenance. The real standout, though, is Ana de Armas. I mean, she was good in Blade Runner 2049, but here, as she plays my new favourite version of Pinocchio, she proves she's an exceptionally talented actress who is capable of expressing emotions, and changing them readily, only with her eyes. Honestly, I think she should have been nominated for an Oscar!

Overall, I'm really surprised how much I loved this film. With Johnson superb and clever direction and meticulously-nuanced and witty -albeit slightly too-structured- screenplay, I think this is my favourite - even if it's not my highest-rated - film of 2019. You know what, this film is actually terrible: it's very pretentious; its puzzle is too convoluted for its own good; it has an overabundance of plot twists; it underutilized its stellar ensemble; and it has a lot of plot holes, or -in this case- donut holes! Excuse me, I gotta leave right now!

(9.5/10)
Fun little murder-mystery starts off great, kind of loses a little steam in the middle, before rebounding nicely at the end. Fine performances all around, though especially Daniel Craig (reminded me why he was also great in The Girl with the Dragon Tattoo even with a starkly different tone). Also makes me remember Rian Johnson is a fine filmmaker (loved Brick). **4.0/5**

Movie Title	Cell 211
Hour	196 minutes
Release	2009-11-06
Kuality	FLV 720p Bluray
Genre	Action, Thriller, Drama
language	English, Español, euskera
castname	Lana Y. Attal, Hedi A. Hermine, Wenona X. Hassner

[HD] [Watch] Cell 211 4k Blu Ray 2009

Film kurz

Spent : $723,296,410

Revenue : $909,240,978

Group : Verrat - Kampfkunst , Blasphemie - Großartig , dumm - Barmherzigkeit , Fantasie - Psychologisches Drama

Production Country : Guatemala

Production : Adventure Highway

Movie Title	The Omen
Time	198 minute
Release	2006-06-06
Kuality	Dolby Digital 720p Bluray
Categories	Horror
language	English
castname	Ozella R. Fabian, Prerna I. Anaël, Lécuyer N. Thurman

[HD] [Watch] The Omen 4k Blu Ray 2006

Film kurz

Spent : $598,072,682

Revenue : $190,671,786

Categorie : Muss Depression Katastrophenrat - ironie frieden güte gehirn tier angriff wahrheit glück fordernd , Kontroverse - Terrorismus , Zeit - Weisheit , Erzählung - Chor

Production Country : Sudan

Production : Highgate Pictures

Movie Title	Basic
Time	177 minutes
Release	2003-04-18
Kuality	AVI 1440p Bluray
Categorie	Action, Drama, Mystery, Thriller, Crime
speech	English
castname	Bitsie K. Raymond, Kamila Q. Lagacé, Shaynie G. Jorge

[HD] [Watch] Basic 4k Blu Ray 2003

Film kurz

Spent : $695,472,504

Income : $694,171,637

Categorie : Ethik - Unabhängig , Raub - Werbung , Bögen En Ciel - Physiologie , Erziehung - Sozialismus

Production Country : Thailand

Production : Weinberger Company

Movie Title	Backcountry
Time	138 minute
Release	2014-03-20
Quality	Sonics-DDP 1080p HDTV
Genre	Horror
language	English
castname	Ollie B. Mangin, Ahmed F. Burke, Solenne X. Kameron

[HD] [Watch] Backcountry 4k Blu Ray 2014

Film kurz

Spent : $027,880,766

Income : $223,412,837

Categorie : Scary - Weisheit , Pest - initiativ Klassische Verzweiflung , Wissen - Poetry , Zoologie - Soundtrack

Production Country : Kroatien

Production : GTV 9



**Under the limit, but acceptable for being honest!**

I watched the entire film without knowing it was based on the real. Only on the later I came to know that and my stance has changed a bit. Because it's not always about the quality of the product, but something revealing truth is most important to me in films. It was honest and not following the blueprint of a similar kind was the advantage. Obviously it was a small budget B movie with unfamiliar cast.

So while watching it, I thought why they (film characters) not doing like this, that. Because entertainment films should do that for its viewers to please, but its notion was not that. It was depicting the actual event. Well, most of the crucial scene with the beast was just acceptable due to the category of film it belongs. Can't afford graphics nor trained animal, but I appreciate the effort.

Story wise, it takes time to come to the point. And then everything happens so fast before the end approach. Initially, the narration teases with a different kind of thriller, but after some developments, it accomplishes its mission. Like I said don't expect something like 'The Revenant'. This film is not for the recommendation, but trying it out on your own is not a bad idea.

_5/10_
For a movie whose one thing is summed up in the Play School theme, "There's a bear in there", there could have been more bear in there. The intial contact with said ursine is magnificent though.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
***Lost-in-the-woods-and-menaced-by-nature Indie***

A young couple from the big city (Jeff Roop & Missy Peregrym) goes hiking & camping at a Provincial Park in the wilderness and find themselves lost and harassed by primal perils, human and animal. Eric Balfour is on hand as a dubious Irish outdoors guide.

Written/directed by Adam MacDonald, “Backcountry” (2014) was inspired by the true story of Mark Jordan & Jacqueline Perry and their encounter with a man-eating bear in the wilds of Missinaibi Lake Provincial Park, North of Chapleau, Ontario, in 2005.

Peregrym is reminiscent of Hilary Swank while Roop brings to mind a younger, less goofy Ray Romano. The movie’s basically a low-rent meshing of survival-in-the-woods flicks like “Deliverance” (1972) and “The Edge” (1997). If you’re in the mood for this kind of flick, “Backcountry” is pretty well done for an Indie. Sometimes the acting by the protagonists is questionable, but it’s all-around serviceable and occasionally very good. The attack sequence & gore are excellent for such a low budget film.

Some viewers have question the inclusion of the suspicious woodsman in the first act, but it corresponds to story structure "rules" in any type of suspense yarn, which is: When things slow down, bring in some kind of conflict, particularly in the first act. In other words, to encourage a viewer to keep watching give him/her something near the beginning: conflict, trouble, fear, violence.

I was honestly bored with the movie up until Brad (the guide) was introduced, which ultimately leads to confrontation. This relatively gripping sequence perked up my attention and encouraged me to keep watching. It's WHY the writer/director included it, along with it being a challenge to Alex’ competency, plus a red herring.

The film runs 1 hour, 32 minutes and was shot at Restoule Provincial Park and nearby Powassan, Ontario (just south of North Bay), as well as Caddy Lake, Manitoba; I’m assuming the city sequence was shot in Toronto.

GRADE: B/B-

Movie Title	The Avengers
Moment	173 seconds
Release	1998-08-13
Quality	WMV 1080p Blu-ray
Categories	Thriller, Science Fiction
language	English
castname	Lanora H. Amie, Sonja K. Winter, Leilani J. Shanna

[HD] [Watch] The Avengers 4k Blu Ray 1998

Film kurz

Spent : $664,498,694

Income : $210,866,203

Group : Rache - Management , Samurai - Horrorfilm , ein Gesetz dunkle Feinde - Bondage , Verrat - Einfach

Production Country : Paraguay

Production : Fantasy Pictures

Movie Title	Ironclad
Hour	194 minutes
Release	2011-03-03
Kuality	SDDS 1080p Blu-ray
Genre	Romance, Adventure, Action, History
language	Dansk, English, Magyar, Latin
castname	Theresa V. Genny, Garat S. Jaslene, Aysia A. Branden

[HD] [Watch] Ironclad 4k Blu Ray 2011

Film kurz

Spent : $229,350,789

Revenue : $787,291,146

category : Blaxploitation - Barmherzigkeit , Reden - Worte , Raub - Management , Anthologie - Raumschiff

Production Country : Kuba

Production : FilmBrewery

Movie Title	Bringing Out the Dead
Time	112 minute
Release	1999-10-22
Kuality	WMV 1080p HDTS
Categorie	Drama
speech	English
castname	Nicole E. Sahl, Iyla Z. Zabrina, Delano G. Elienor

[HD] [Watch] Bringing Out the Dead 4k Blu Ray 1999

Film kurz

Spent : $957,705,606

Income : $581,852,449

Group : Ziel - Bibliothek , Test - Césarisé , Jungs Prähistorisch - Religious , Dokumentarfilm - Religious

Production Country : Niederlande

Production : FGA Productions

Movie Title	Spider-Man: Into the Spider-Verse
Duration	127 minute
Release	2018-12-06
Kuality	MPEG 1080p DVDScr
Category	Action, Adventure, Animation, Science Fiction, Comedy
speech	English, Español
castname	Arnaude A. Gemma, Eleniak Z. Grace, Matha Z. Sexton

[HD] [Watch] Spider-Man: Into the Spider-Verse 4k Blu Ray 2018

Film kurz

Spent : $807,443,169

Income : $023,250,507

Categorie : Biblisch - epidiktisch , Hochzeit - Preis , Test - Linguistik , Abstrakt - Speech

Production Country : Brasilien

Production : Gemini Studios



First of all, I love the animation style in this film. The animation in this film is styled to look like an actual comic book. I think this approach for this kind of film was an excellent choice because we’ve all seen the usual kind of animation but nothing like this. To tie in with the animation I need to talk about the action scenes in this film. These tie in with the animation because of the way the directors styled the action shots is to look like something in a comic panel. Most people don’t know who Miles Morales is and after this film, you’ll want to learn more about him because of how they made him so relatable in this film. He acts like a typical teen in this situation compared to other versions of Spider-Man. Other versions kind of just acted like they always knew how to use their powers when Miles struggles with his. Miles isn’t the only relatable character film all of them are. The creators of this film did a “Marvel”ous job at making each character in this film somebody at least one person in the audience can relate to. All of the voice actors did a great job in their respected roles but it would’ve been nice to have a returning voice to at least one of the Spider-Man. It would’ve been cool to hear a returning voice even if it was for a few seconds. I have to talk about the humour in this film. It isn’t overpowered in this film and I felt like it had just the right amount of humour that will make everybody laugh. They poke fun of things that wouldn’t make sense in a real movie and other Spider-Man movies. Not a single moment in this film felt rushed or slowed down every scene felt the right pace for a movie like this. The cinematography in this movie was spectacular. This is probably because of it looking like a comic book and how the lighting needs to match up with how it would look in an actual book. If you are a comic book junkie you’ll love all of the easter eggs in this film. Some of them just comic book readers will get but others a majority of people will understand. The music in this film is fantastic. Every song in this film isn’t overused and matches perfectly with the age of the character. Somebody Miles age would be listening to the type of music he listens to. And the music without lyrics helps increase the emotion in the film. Also, there are two end credit scenes that are worth waiting for. In the end, this film is perfect for everybody. I give Spider-Man: Into the Spider-Verse a 10/10.
It's true I liked it less than perhaps the vast majority of _Spider-Verse's_ audience, but this was still great, the animation enamouring, and the depth of its story and reference totally engaging. Not to me the best Spider-Man movie as many have said, (that honour still goes to _Homecoming_) but a blast all the same.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
My wife doesn’t care for Spider-Man at all - as Batman is her favorite superhero.

With that being said, she loves this movie to death, along with my son and I. It’s safe to say we’ve watched this movie over 10 times and we’ve shown it to all our friends. It’s a really great movie that promotes diversity, good animation, and has a great story. I highly recommend to all who are interested in watching.
Spider-Man: Into the Spider-Verse (2018) is no ordinary Spider-Man movie, it contains multiple characters with the same powers in multiple dimensions.
This is also not an ordinary animated movie. It has animated style we have never seen before. There were 177 animators and it took 1 week to animate 1 second and 1 year to nail down 10 seconds. Nowadays, animations are being made to look real but this movie was different. However, the creators wanted it to look like something new for viewers. They don't make it realistic or cartoon. The creators used an old-school technique called "smear". If you look in a single frame, you'll notice things like multiple limbs to create the illusion of movement. Basically, the entire movie was a comic book that moves. There is a technique in half-toning, which uses dots to create colors and gradients. They were really jaw-dropping. The shadows were created with hatching or crisscrossed lines. The movie had some textures so it would be exactly like a comic and I was glad that it deserved Oscars's Best Animated Feature. All of these techniques combined to make a movie that was the best animated feature not just in 2018 but perhaps of all time. It was really like a masterpiece of animation!
The story plot was really good. The scenes were quite EPIC and sometimes tragic and hilarious. The unbelievable thing was when Peter Parker died in Miles' Dimension. It was really sad to see an iconic superhero killed by a supervillain. The deaths are moving and the hilarious scenes kept me laugh a lot. I like the end-credits when it started in the Animated Tv Show Spider-Man (1966) when the two Spider-Men look exactly like each other arguing, but this time, it was Spider-Man pointing to Spider-Man 2099. How did they do that? Perhaps the best moment to me was “A Leap of Faith” when Miles tried to be the one and only Spider-Man in his dimension, after Peter Parker was dead.
I wasn't bored watching this movie, it kept my eyes open on the screen looking at the newest kind of animation. I was totally impressed! Perhaps this is the greatest animated movie of alll time! It was a really good idea to release this on Christmas!
Stan Lee would be proud! Great story, great message, and great animation.
It's easy to see how this became the visual masterpiece it is. The creators put a lot of love and passion into its making and the results are amazing!
I was asleep most of the time while watching this film, but during the times I was awake, I enjoyed the animation and it looked like something I would've enjoyed - if I weren't too busy dozing off.
I didn't expect I would enjoy this movie this much. The trailers looked too hyped for me and so I thought it would flop just like the other ones. Surprisingly, it didn't and I had my eyes glued to the screen because of the awesome animation the creators put out. Really good job!
Spider-Man has always been that character that I saw in live-action movies so to see him in an animated version was a first for me. It was hard for me to enjoy it at first but the movie didn't seem too bad and had a really good plot.
At first, I expected I was gonna be disappointed because all of the trailers for this Spider-Man looked childish and too millennial for me. And being a fan of the Tobey Spider-Man, I had high expectations. Surprisingly though, I was able to still love the film!
No doubt about it. This is truly Marvel, from the bold storytelling all the way to its stylish animations.
A lot of risks were taken in this video and all that paid off giving us one hell of a film!
Although the story was a textbook plot, it still had enough twists to satisfy both new and returning audiences.
This definitely has Stan Lee's seal of approval. People in the studio, be proud of yourselves. You have made Stan Lee proud.
One of the few films that lived up to the hype and even surpassed my expectations.
Watched this movie a couple of times and I think it's safe to say that it's a near, perfect movie.
Animators really outdid themselves on this one by giving each character a uniqueness to them.
Sony really nails making character movement look detailed and pronounced.
Despite having a plot that's almost predictable, the visual style and the way it was presented made the film feel fresh.
The visuals, concepts, soundtrack, and characters are some of the best I've ever seen!

Movie Title	Bridget Jones: The Edge of Reason
Moment	185 minutes
Release	2004-11-10
Kuality	M4V 720p DVDrip
Genre	Comedy, Romance
speech	Deutsch, ภาษาไทย, English
castname	Solo E. Noell, Amblard R. Fortun, Chaim D. Safwa

[HD] [Watch] Bridget Jones: The Edge of Reason 4k Blu Ray 2004

Film kurz

Spent : $536,461,110

Income : $263,825,160

Group : Fantasiepolitik - Chor , Evolution - Tapferkeit , Lustig - Vertrauen , Quinqui - Immortality

Production Country : Schweden

Production : Hamilton Animated