Movie Title	Avengers: Endgame
Time	176 minutes
Release	2019-04-24
Kuality	SDDS 720p TVrip
Genre	Adventure, Science Fiction, Action
speech	English, 日本語, Array
castname	Abdiel O. Chyler, Karel G. Dilem, Lugné D. Briggs

[HD] [Watch] Avengers: Endgame 4k Blu Ray 2019

Film kurz

Spent : $722,783,800

Revenue : $147,847,768

Group : Wandern - Trennung , Horror - Reality Fear Object Magic , ParParties - Women , Erotik - Programm

Production Country : Usbekistan

Production : Stargaze Media



The epic Marvel Saga that started over ten years ago has been building up to the inevitable clash with the powerful tyrant Thanos (Josh Brolin). Last year’s “Avengers: Infinity War” set the stage for the highly-anticipated conclusion; “Avengers: End Game” and at long last it has arrived.

Picking up shortly after the events of the last film, the Avengers must deal with the aftermath of what Thanos has done. The team is naturally divided between wanting revenge, wanting to set things right, and just wanting to take what they have and go on.

As time passes and they struggle to accept the reality of their situation; an unexpected individual returns and with them comes the seeds of a new plan to make things right. Naturally Tony Stark (Robert Downey Jr.) is skeptical but eventually warms to the possibilities of the idea thanks to a new scientific breakthrough that makes it possible.

Inspired, Tony sets out to put an elaborate plan in motion that will allow the team to try to fix things and to stop Thanos once and for all.

What follows is an extended and at times nostalgic heist where various members of the team work to assemble the pieces needed for the plan as they believe they only have one chance to make things right.

The film is essentially three acts in one. The first deals with the recap and expansion of their situation and the planning. The second act is basically a heist where action and comedy are blended with some touching moments.

This all leads to the final act which is the FX laden set piece where the ensemble cast gathers to fight the forces of evil in a battle to save the Universe.
The film is epic in scale and length as it clocks in at over three hours but the movie is filled with so much content that the time goes by quickly and you have a hard time believing three hours have elapsed.

It is also a difficult film to review as you cannot recap elements of the film in any great detail without giving away elements that are sure to delight the fans. Suffice it to say that my only real issue with the fil and it was minor; was that it took a while to get to the action but at least there was plenty to keep you entertained along the way.

As this phase of the Marvel Film Universe winds down and plans are put in place for the next five years; “Avengers: End Game” is a satisfying conclusion to the epic saga that was started many years ago and weaves elements of many of the past Marvel films into an entertaining tale which features all of the best elements that have made the series of films such big hits.

4.5 stars out of 5
Hey, so, just some really quick thoughts I wanna get down, 'cause it's after 1 o'clock in the morning, and I wanna get some sleep so I can wake up well rested to see _Endgame_ again.

Putting it out there right from the get-go, _Avengers: Endgame_ is my favourite MCU movie. It's my favourite movie of the year too, but I've only seen like ten or so 2019 releases, and this is the 22nd Marvel Cinematic Universe film, so that seems far and away the bigger deal. I can't say it's perfect, there's some conflicting stuff within its own runtime that really doesn't seem to gel (though a re-watch may prove me wrong on that), and it's not like every moment was the no-holds-barred-zero-exception best version of that moment from start to end. But God I loved this thing.

I will say this though, the reason that I loved it, is this thing is fan service galore. If you do not care for the franchise's 21 movies preceding this point, then _Endgame_ is not the movie to turn you around on that. That may come in a future installment, but this one is a culmination. It's the end of _Infinity War_ but also Phase 3, but also a wrap-up and genuine ode to/send off for everything that Marvel has done over the past 11 years. That to me was incredible, and I am eternally greatful, but I cannot imagine it working for people who have no vested interest in these characters.

To me though? My first 9 out of 10 rating in **three years**.

_Final rating:★★★★½ - Ridiculously strong appeal. I can’t stop thinking about it._
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

Don't worry. This is going to be a pretty vague review. Right now, as I'm writing this sentence, I'm still processing what I saw and how am I going to explain how I felt without spoiling a single tiny thing. First of all, it's such a mix of feelings. On one hand, I'm extremely happy that I was lucky to be alive during this epic time and that I was able to follow these characters that I love and care about so much. On the other hand, I'm obviously sad that it finally reached the end of this (hopefully) first incredible saga. There are no perfect films and one with so many heroes will always have struggles balancing it all (Infinity War already had this issue).

However, the Russo brothers did everything they could to deliver a phenomenal story, and they did. I don't think this could have been any better. Its last hour exceeds any expectations. It's epic, emotional, action-heavy, and it has one of my favorite shots in the entire history of cinema. It's pure magic, and the VFX team will surely get an Oscar for it. The action reminded me of the biggest Lord of the Rings' battles, and it was impeccably filmed, filled with riveting and chill-inducing sequences. Nevertheless, don't expect this high-intensity feeling throughout the whole runtime. The other two acts are a slow-burn build-up to a payoff that's going to make you pretty much either "love" or "like" this movie. I absolutely love it!

This is easily one of the best MCU films, if not my new number one. I can't deny that the 3-hour runtime has some unnecessary scenes, but even if they don't have a significant impact on the plot or even in the characters, they still contribute to the enormous build-up. Seeing this family that we grew up with just talking with each other or having lunch, at the same time that they deal with the consequences of Thanos' snap, is inexplicably captivating and heartwarming. Characters like Natasha (Scarlett Johansson) and Steve (Chris Evans) supporting each other is simply beautiful. Their comradery and chemistry are worthy of some tears here and there.

Some people didn't really enjoy Infinity War so much due to the lack of screentime that some characters had. This time around, there are fewer characters to work with, so the balance is better. Everyone gets an important role, from Captain America to Ant-Man (Paul Rudd) to Nebula (Karen Gillan), and even Rocket (Bradley Cooper). Every single character has a major moment. If you take one out of the movie, it just doesn't work anymore. This is not only great work from the directors, but also from the writers.

Christopher Markus and Stephen McFeely are not even going to be remembered because fans will always think of the cast first. Most of them will also remember the directors. But the writers?! If I stand at the door of the theater at the end of the film and question everyone about who are the writers, I strongly believe most of the audience won't know. Every dialogue, every sentence, every word carries so much impact on the narrative. Literally, I cried and got chills just by hearing two freaking words with the perfect timing in between. The amount of grief that the words of the ones who've lost everyone and everything carry is palpable and, for me, those are the most emotional moments of the movie: seeing how everyone is suffering from their own losses, not the deaths themselves.

The humor is mostly on-point, but it's still connected to my only real issue with the film, which is the second act's tone. From the moment the team decides what to do, we already know that this is a 1 in 14 million chance of success like Dr. Strange (Benedict Cumberbatch) said, so the stakes and pressure are massive! With this level of tension, I didn't expect such an “easygoing” and “funny” vibe throughout, except for one particular sequence. They do a great job once again of pairing up certain Avengers together, but most of them go through these too comedic plot points for such a crucial and serious mission. Fortunately, this act carries enough action and emotional drive to make this problem not that big of an issue.

Visually, this is arguably the best-looking superhero film ever. From the mind-blowing visual effects to the gorgeous cinematography, everything is perfect. The costumes are gritty and muddy when our heroes are in a battle, their faces are all filled with blood, and I have no words to describe how jaw-dropping that last act is. I can't wait to change my desktop wallpaper once THAT shot is available. I dropped a single tear just by looking at it. No one talks, no one does anything. It's just an amazingly beautiful image. The score is epic as hell. So much that I'm listening to it right now as I'm writing this review, and I'm getting chills all over my body.

I can't really write much more, to be honest. I will acknowledge the cast because they are brilliant. Each and every single member delivers an outstanding performance, but if I had to choose the ones that both surprised me and had the most impact on me, they would be Johansson's, Evans', and Robert Downey Jr's (Tony Stark / Iron Man). “New” characters like Captain Marvel (Brie Larson) blend seamlessly, and the payoff is unbelievably satisfying. In terms of predictability, it goes more or less as I expected, but it still carries a few surprises throughout. Nothing is ever like we imagine or theorize about, so expect the unexpected, and don't judge a movie by if it fits your crazy, unrealistic theories that never crossed the producers and directors' minds in the first place!

All in all, I don't know what to do now. The only thing I'm sure of is that I want to see it again, as soon as possible. The last hour is f*cking insane. I couldn't fall asleep properly because I couldn't stop thinking about it. Endgame surpasses all expectations. It's everything I wished for and so much more. I could easily spend a whole day at the movie theater and watch three sessions in a row. It's that good. One of the best comic-book films of all-time, without a single doubt. Thank you to Kevin Feige and everyone who worked hard to bring the MCU to where it stands now. I can't even think of how are they going to produce something at the level of Infinity Saga. Maybe they never will. Maybe we'll have to wait another decade or two for something like this. Until then, see you at the next Endgame screening! Enjoy! Oh and #DontSpoilTheEndgame!

PS: it's not a perfect movie, I know. It doesn't exist one. Yes, Endgame has some issues regarding its pacing and tone, but I would be lying to myself if this isn't everything I dreamed of. I felt the same way with Civil War, regarding the rating to give, and I ended up giving it an A after a first viewing. As soon as I watched the second time, I changed it to an A+. I don’t need to wait for that second viewing with Endgame … And thank you to my audience for being incredibly respectful. No yelling, no crazy laughs, no stupid people doing stupid stuff. Thank you so much for not ruining one of the best cinematic experiences of my life!

Rating: A+
okay so if your like me you questioned this movie due to the fact that i personally thought nothing could beat infinity war well after seeing it i can honestly say we have a new champion this was absolutley excelent so hilarious action packed the 3 hrs passes extremily fast my only thing is the use of god.... bothered me and i suggest if your offended by that wait till dvd so you can mute the parts also a reminder to parents 'no matter how bad you want to see the movie dont do like people in my theater did and bring your 3 year old 'but besides that awesome movie
We waited till day 5 of release in theaters. There was a slow start to the movie so i don't recommend taking little ones under the age of 10. After all the anticipation and hype,Avengers Endgame did not disappoint. Waa a perfect "ending' to the series. Very well done
These kind of movies are among the few movies that I can be bothered to go to an actual theater to watch nowadays. For most movies I just wait until they come out on disk (preferably Ultra HD Blu-ray if it’s available) and watch them on my home theater rig. So this weekend me and the kids went to the theater to watch Avengers: Endgame.

I have to say that it was better, even much better, than I feared. I really feared that the SJW retards at Marvel would take this opportunity to completely re-organize the Marvel universe to their liking. Like how they completely ruined both professor Xavier and Wolverine in that abysmal Logan movie. Luckily, this did not really happen. Maybe the financial reality of their failing SJW comics and Disney doing a bit of culling of the most extreme of the Marvel retards, the ones who fail to understand that super hero movies are meant to entertain and not be their personal agenda channel, are starting to take effect.

It was actually a quite good movie with plenty of action, some humor and, of course, lots and lots of special effects. Even the story made somewhat sense, at least in the context of a Marvel movie, even though the writers resorted to time travel.

The movie starts of somewhat dark and grim but I guess that was to be suspected. It cheered up as it moved along and then ending … well to me at least it was mostly satisfactory.

I was not too thrilled about the “new” Hulk although I warmed up to him a bit during the film. Thor? The less that is said about him the better actually. The rest of the merry bunch was in pretty good shape and I am quite happy that we did not get to see to much of Quill’s usual shenanigans. I really hate that character.

I was quite positively surprised at the huge and quite cool battle towards the end. I was thinking, or rather hoping, that at some time they were just going to reverse Thanos’ crap and that would be it but instead we get to watch another huge confrontation with pretty much everyone involved at the end. Very cool action and FX indeed.

There were some silly plot holes of course. As always when writers resort to time travel. An obvious one would of course be that, when they knew they only had enough Pym particles to complete one trip for each person why did they just not go back in time to get more the first thing they did? Especially since they later did exactly that. Also, Captain Marvel (in her new SJW hairdo) flies through a barrage of fire, smashes through Thanos’ ship like it was nothing and then struggles to combat Thanos himself? There were a bit of this silliness spread around but not too much for me to be bothered by it.

There were a few casualties of which I am saddened by two of them. I think at least one of them was unnecessary and probably agenda based. I also strongly disliked the rubbish with Captain America at the end. He has never been one of my favorite characters so I do not really care much about him being around or not but that rubbish sob-scene where he hands over his shield to a “politically correct” person was really unnecessary. I guess it must have been put there to appease the Marvel SJW retards.

Anyway, my bottom line is that I was greatly entertained by this movie. It had all the good stuff, real super heroes, action, special effects and not too much of the crap that has been spewing out of Marvel the last years.
Awesome!
***How can they possibly save half of all living beings in the Universe?***

How are the surviving Avengers & Co. possibly going to save half of the Universe that died? My wife & I had this discussion before viewing. It basically comes down to two options (assuming the events in "Infinity War" weren’t just a dream): magic or time travel. All I’ll say is: What they came up with was in ways reminiscent of the plot convolutions of "Back to the Future II" (1989).

“Endgame” (2019) begins strong with the devastating reality of half of all living beings in the Universe suddenly vanishing. It starts to get lethargic about an hour in, but perks up with the three teams trying to apprehend the Infinity Stones so they can maybe reverse what happened at the end of the previous film.

Everything naturally leads to a huge battle in the last hour that I found boring, not to mention that the epilogue tended to drag on with too much of it being tedious. Still, there are lots of worthy bits throughout, like the opening, the unpredictable first encounter with Thanos, Thor getting flabby, the moving match between Black Widow and Hawkeye at the cliff’s edge, and much more.

Unfortunately, the myriad protagonists work against the film because it can’t concentrate on any one or two characters for very long. Captain Marvel is short shifted and decidedly dull. Plus the movie’s overlong at 3 hours, 1 minute.

GRADE: B/B-
The amazing fight scenes and CGI aren’t enough to mask the fact that the overall plot of going back in time to change reality is just plain stupid and lazy - and this is addressed to the writers. I did know that there was gonna be some time travel involved, but the way Marvel explained and executed it didn't too well for me. They can't get away with just putting it all in "Quantum.”
Sure the final fight with Thanos is more than epic, but I expected more than that. I wanted substance and a plot that didn't rely on "quantum" for all the questions and explanations.
Sadly, I didn't enjoy this one as much as I did with the first "Avengers" movies.
Honestly, it felt like it was too much of a set-up for me. Having Antman isolated in the Quantum realm was just too convenient and it felt like Marvel was just looking for a foundation for the script they had for this movie that wasn't even as good as the previous ones.
Needed more Dr. Strange action! Felt like the final fight scene with Thanos could've been choreographed a lot better especially when you have a magic caster who could dish out different spells like Dr. Strange. But alas, he was instead given the duty of holding off the impending doom from crashing down on his team.
Not a big fan of the ending. But I guess when you have only 0.000000000001% chance of winning you can't expect it to be the best ending there is.
First of all, good popcorn movie, if you are hardcore fan of marvel or visual effect in general, this is a movie for you.

However, it is clear that imagination of Marvel studio keeps deteriorating. The process and ending is clear about 10% into the movie. Zero development of character. Amateur plot twist. All cliche and low class humor. It is 21st century and they still cling on adult fairy tale and plain visual stimulation. The whole purpose is to let fans know what happens to the character. Good business investment but great shame to the art of movie industry. It is a blatant exploitation of grandpa IP with zero innovation.

Hero fantasy lived in half a century ago. Time to learn from modern Japanese manga and anime (I am not talking about One Piece or Naruto). Stop stitching up individuals from different background and call it a universe, it's laughable at best.
The amazing fight scenes and CGI aren’t enough to mask the fact that the overall plot of going back in time to change reality is just plain stupid and lazy - and this is addressed to the writers. I did know that there was gonna be some time travel involved, but the way Marvel explained and executed it didn't too well for me. They can't get away with just putting it all in "Quantum.”
Great ending but I still can't get over the fact that the writers had to kill my all-time favorite Avenger, Iron Man. Still, it was a sacrifice that must be taken for the greater good. I love the movie!
I kind of expected Tony Stark to be the one to take the fall but what caught me off guard was Cap's decision to return to his original timeline. Man, I can take losing one main Avenger but two? It was just heartbreaking.
That final fight with Thanos was epic! Great idea by the writers to have everybody be teleported back when Cap needed them the most. Officially the greatest superhero movie of all time!
With all the hype surrounding this film before its release, it was hard not to have high expectations once it finally went out.I myself am one of those people. Fortunately, it did pretty well and didn't disappoint. To me, it would've been better if all their time traveling somehow created ripple effects in the present to make it more realistic but I guess you can only fit so much content in a film.

Movie Title	Che: Part One
Duration	115 minutes
Release	2008-09-05
Quality	AAF 1440p VHSRip
Category	Drama, History, War
language	English, Español
castname	Haysam L. Afsar, Morgen M. Archit, Zwirn H. Landyn

[HD] [Watch] Che: Part One 4k Blu Ray 2008

Film kurz

Spent : $182,962,381

Income : $779,819,744

categories : Journalismus - Gefangenendrama , Lustig - Freiheit , Reisen - Monster , Armee - Gefangenendrama

Production Country : Schweden

Production : Funway Entertainment

Movie Title	Fractured
Time	135 minute
Release	2019-09-22
Quality	Dolby Digital 720p HDRip
Categorie	Thriller
language	English
castname	Mata X. Nareen, Ebru M. Emmet, Haydee U. Danny

[HD] [Watch] Fractured 4k Blu Ray 2019

Film kurz

Spent : $070,324,551

Income : $912,320,770

Categorie : Lustig - Biographie , Sozialdrama - Vernachlässigung , Metaphysik - Apology , Arbeit - Skizzen

Production Country : San Marino

Production : ATV Network



After an accident, Ray, played by Sam Worthington, has to take his daughter to the hospital. But something funny is going on at the hospital, which comes to a head with they take his wife and daughter for tests and she doesn’t return. Not only does she not return, but the hospital has no record of his wife or daughter ever having been there. He must now rescue his family from an organ harvesting operation being run out of the hospital.

OR DOES HE??? *dramatic music plays*

There are questions about whether he’s really perceiving things as they are while the hospital staff attempts to gaslight him and make him believe that he’s for all intents and purposes crazy.

OR IS HE??? *dramatic music plays*

Okay, I have to add these dramatic bits to this review because they’re more dramatic than the actual movie. It’s pretty obvious rather quickly what’s going on. Part of the problem may be the short runtime combined with a kind of lengthy setup. The setup seems to be designed to convey the sense of waiting long times in the hospital ER waiting room (...ah hah hah social commentary…) But this lengthy first act cuts into the time that could be used to build mystery and tension. As it is, it almost seems like a long “Twilight Zone” episode.

If you want an “Are they crazy or not?” film that’s much better, check out “Flightplan” with Jodie Foster. But “Fractured” is a generally poor take on the genre and I can only recommend it if you really have nothing else to watch or do.
When a movie holds a mystery, that's great, but when a movie just straight-up lies to you, that's crap. _Fractured_ is the latter.

_Final rating:★½: - Boring/disappointing. Avoid where possible._

Movie Title	A Perfect Murder
Clock	167 minute
Release	1998-06-05
Kuality	MPE 1080p WEBrip
Categories	Crime, Thriller, Drama
speech	العربية, English
castname	Jubel M. Momoko, Omar F. Margery, Jeanson H. Bourges

[HD] [Watch] A Perfect Murder 4k Blu Ray 1998

Film kurz

Spent : $827,668,782

Income : $895,310,457

Categorie : Arbeit - Du Son , Boats - Military , Medizin - Einfachheit , Film Animation - Impressionist Lernen Judicial Floors Wildlife Film

Production Country : Argentinien

Production : Golden Line

Movie Title	The Hurricane
Clock	123 minute
Release	1999-09-17
Kuality	Dolby Digital 1080p DVDScr
Category	Drama
speech	English
castname	Rabia B. Carragh, Mays Z. Édith, Khan V. Lekisha

[HD] [Watch] The Hurricane 4k Blu Ray 1999

Film kurz

Spent : $306,268,401

Income : $793,533,750

category : Kind - Linguistik , Videospiele - Soundtrack , Isolation - Poesie , Spionage - Linguistik

Production Country : Mazedonien

Production : Fantasy Pictures

Movie Title	Deep Impact
Moment	148 minutes
Release	1998-05-08
Kuality	MPEG 720p WEBrip
Categories	Action, Drama, Science Fiction
speech	English
castname	Celeste Y. Marquis, Jana G. Given, Amaury R. Darrion

[HD] [Watch] Deep Impact 4k Blu Ray 1998

Film kurz

Spent : $943,420,938

Income : $282,920,562

Categorie : Lustig - Unabhängigkeit , Ethik - Physiologie , Hochzeit - Monster , Fantasie - Management

Production Country : Jemen

Production : Europa Producciones



I was really disappointed, considering all of the great actors involved and since I love science fiction and the great disaster films of days gone by. I bought the DVD used and got my money's worth--it's a decent watch.

I would recommend watching if you like disaster movies or any of the actors involved, maybe even renting or buying the DVD used or for a really good price new, say for 5 bucks, but anything more would be wasteful or being ripped off.
A high school Astronomy club discovers a celestial anomaly, their advisor checks it, becomes alarmed at what he finds, and things shift gears.
Not bad for a movie that made "E.L.E/Extinction Level Event" a popular phrase and made the naive public aware of The Danger From Space.

From there, seemingly unrelated events come to the attention of a novice TV reporter, culminating in an Apollo-Soyuz level cooperative near space mission.
The star-studded crew isn't worked very hard, even as the people are divided into two groups by lottery.

Nevertheless, Family is front and center, in many forms, from divided to nuclear to "baby makes three."
At least the audience wasn't subjected to a barrage of macho chatter that characterized "Armageddon," but a out-of-this-world reading of "Moby Dick."

Morgan Freeman's "President Tom Beck" does his best "Abraham Lincoln" in this film, which is one reason I watch this film when it is broadcast, even though I have the DVD. 8/10;)

Movie Title	Ong Bak: Muay Thai Warrior
Duration	124 seconds
Release	2003-01-21
Kuality	WMV 1080p Bluray
Categorie	Action, Thriller
language	English, ภาษาไทย
castname	Sayida I. Almira, Veysset W. Lise, Viardot Z. Mckenna

[HD] [Watch] Ong Bak: Muay Thai Warrior 4k Blu Ray 2003

Film kurz

Spent : $562,791,506

Revenue : $445,588,983

categories : Flucht - Césarisé , Jungs Prähistorisch - Impressionist Lernen Judicial Floors Wildlife Film , Guru - Potes , Zoologie - Widerstand paradox

Production Country : Singapur

Production : Curtain Call

Movie Title	Road to Perdition
Time	136 minutes
Release	2002-07-12
Quality	DAT 1080p Bluray
Genre	Crime, Drama, Thriller
speech	English
castname	Ancelin M. Sabba, Wardah P. Pautrat, Rogelio A. Picault

[HD] [Watch] Road to Perdition 4k Blu Ray 2002

Film kurz

Spent : $996,553,497

Income : $129,144,439

Group : Romantisch - Horrorfilm , Bögen En Ciel - Umweltverschmutzung , Opernfilm - Schreiben , Leben - Umweltentfremdung

Production Country : Nigeria

Production : 5J Media

Movie Title	Spinning Man
Moment	117 seconds
Release	2018-04-06
Kuality	M4V 720p Bluray
Categories	Mystery, Thriller
speech	English
castname	Marano N. Newman, Rengin G. Armarni, Epstein Q. Avare

[HD] [Watch] Spinning Man 4k Blu Ray 2018

Film kurz

Spent : $486,903,981

Revenue : $122,276,852

Group : Zeit - Speech , menschliches Wesen - Bibliothek , Reisen - Trennung , Grausamkeit - Battlefield

Production Country : Island

Production : Shochiku TV

Movie Title	Django Unchained
Moment	192 seconds
Release	2012-12-25
Quality	M1V 1440p VHSRip
Genre	Drama, Western
language	English, Français, Deutsch
castname	Revel Y. Yoana, Tyga Z. Tillie, Jahid U. Akeal

[HD] [Watch] Django Unchained 4k Blu Ray 2012

Film kurz

Spent : $814,298,472

Income : $437,952,997

Group : Scary - Physiologie , Kontroverse - Weisheit , Unheimlich - Skepsis , Kurzer Rock - initiativ Klassische Verzweiflung

Production Country : Swasiland

Production : Fiji Producoes



America, mid-nineteenth century, just prior to the Civil War. Winter. Two horsebacked slave-traders are leading half-a-dozen manacled negro slaves through a large, unspecified section of Texas. As they move one night through a wood, they cross paths with an affable, charming German fellow identified by the hokey model tooth affixed atop his carriage by a spring as a travelling dentist. He greets the traders cordially but he's struggling to be understood; not because English is his second language (although he deferentially concedes as much when instructed - more than once - to "Speak English!") but because his vocabulary is far wider than that of the simpler men here before him. It's not a chance passing, either; this German fellow, who identifies himself as Dr. King Schultz (played by Christoph Waltz with the same smiling, deadly menace that earned him an Oscar statue for his part as Col. Hans Landa in Inglourious Basterds) is looking for these traders. More specifically, their inventory of negro slaves. Even more specifically, one of those slaves in particular. Django (Jamie Foxx, Collateral, Ray). Attempting to buy Django, Schultz is met with short, suspicious shrift and ordered at gunpoint to be on his way. Within a second, one trader lies dead and the other lies incapacitated underneath the bulk of his dead horse. Schultz unchains Django, instructs Django to take the dead fellow's horse and coat, and pays the remaining trader for all that he's taken. He then tosses the manacle key to the other slaves and posits two choices to them, as he sees it: Carry their injured master thirty-plus miles to the nearest town for medical assistance, or unchain themselves, blow the injured slave-trader's head off with the gun Shultz has left them, bury the corpses and use the Pole Star to run for the Northern states, where slavery had been abolished, and for more than fifty years in some areas. Funnily enough, they take up the latter option.

So begins Django Unchained, an oater set in the slave states of the Deep South and the latest rollercoaster by Gen-X movieland wunderkind Quentin Tarantino. Always clearly a man heavily informed by the grindhouse subgenre of the Spaghetti Western, he's finally made one himself, and if Quentin's your thing it's a blast, though I doubt it'll convert many Tarantino sceptics; in fact it'll almost certainly reinforce those things that people dislike about him, about which more later.

It transpires that Dr. Schultz ISN'T a dentist ("I haven't practised dentistry in five years," he confides to Django over a beer) but a bounty hunter, and a lethal one at that. He's chasing down the Brittles, a murderous gang of brothers currently plying their trades as plantation overseers. He doesn't know what they look like but he knows they were recently employed at the Carrucan plantation, which is why he was searching for Django - a slave recently sold by that very plantation - in the first place; Django can point them out for him. Schultz is no fan of the South's backwards-thinking propensity for slavery though, and he offers Django a deal: help Schultz find and kill the Brittle Brothers, Schultz will treat Django like a free man, pay him $75 (a decent little wedge in 1858) and rubber-stamp his freedom. Along the way, he'll also teach Django a thing or two about the art of gunfighting and about the macabre trade of bounty-hunting (both in which Django proves to be a natural). On the trail of the Brittles, Schultz wonders aloud as to Django's plans once this endeavour is over and he's free. Well, as it happens, Django is a married man and his intention, once free, is to find his wife and buy her freedom. They'd tried to run from the Carrucan plantation together but they'd been caught, branded (both Django and his wife - played with all of her nerves exposed by Kerry Washington - sport R-For-Runaway scars on their cheeks) and sold on, separately. So he doesn't know where she is but that's what he's going to try to do. Schultz, feeling responsible for Django as the man granting him his freedom, proposes a further deal: If this Brittle bounty goes well, he'll honour Django's freedom but if Django stays with him through the winter as partners, taking on bounties and earning money, he'll help Django locate his wife.

What we have here is a large sequence of set-pieces - some funny, some tense, some action-packed - stretched across very-nearly three hours (though, like most QT films, it moves like a bullet train and those three hours just fly) strung together by a fairly simple revenge/rescue tale set against a geographically sprawling backdrop; a reasonably similar template to many of Quentin's movies and an almost identical template to that of previous outing Inglourious Basterds, to which Django Unchained could almost be considered a companion piece despite the wildly different global and historical settings. Like Inglourious Basterds, Django Unchained is quite a bit longer than the story need be, and like Inglourious Basterds that is because each scene is treated by Tarantino as a mini movie, a contained set-piece all of its own. Every scene is fleshed out and deepened for either heightened comic or dramatic effect by lengthened sequences of characters going about the mundane or by characters delivering enormous monologues - rambling shaggy-dog stories, usually - to one another, for context. Not every scene is entirely necessary, either. I wouldn't call that a flaw though, I'd call it a trait typical of Quentin Tarantino; whether it's a flaw or an outright treat depends entirely on whether that's an element of Tarantino's writing that the viewer appreciates. Personally, I love Tarantino's writer's voice and I could watch these scenes for hours (indeed, I watched Django Unchained three times over the course of yesterday), but I can fully undersand what those lamenting the decent 90-minute film that's lost somewhere within the sojourns and speeches of Django Unchained are saying.

Performances throughout are utterly mesmerising, from stars Foxx and Waltz but also - in fact, maybe more so - from principle antagonists Leonardo DiCaprio as "Monsieur" Calvin Candie, the horrifying owner of the "Candyland" plantation currently holding the ownership deeds on Django's wife, and Samuel L. Jackson in an if-anything even more monstrous role as Stephen, Candie's elderly head house slave, a man who has utterly abndoned the culture and torment of his people in return for a few material trappings as the slave-in-chief. Playing to superb comedic effect is Don Johnson as Big Daddy, a strutting, peacock-like Tennessee dandy and owner of the plantation currently employing the Brittle Brothers, and delightful in cameo roles are (among many others) James Remar (The Warriors, Dexter), Jonah Hill (Superbad, The Watch), John Jarratt (Wolf Creek, Rogue) and Michael Parks (Red State, Kill Bill). Quentin himself makes a cameo as usual and, as usual, he's not as charming as he probably thinks he is, but he's also not as bad as many think he is, either. There's even a quick cameo (raising an involuntary cheer from me!) by Franco Nero, the original Django from the magnificent 1966 film of the same name by Sergio Corbucci (that's not the only nod back to the first Django movie; the opening credits to Django Unchained are presented in exactly the same way as the original, and the theme song to Quentin's film comes directly from the Corbucci film too).

Django Unchained is likely to come under fire on a couple of counts; possibly for it's incredible levels of bloodshed (one particular gunfight is the most blood-splattered scene I've seen in a movie since those elevator doors opened in The Shining), and much more probably for the liberal use of what guilty white folks like to refer to as "The 'N'-word", uttered literally hundreds of times from first scene to last. However, neither criticism is warranted in my humble opinion. The bloodshed is of the overexaggerated cartoon quality. Heads, arteries and extremities explode upon bullet impact like detonated watermelons to a gloopy, "BLAAAPP!" sound effect, the blood itself translucent, syrupy and intentionally unrealistic. And if a tale is set against the backdrop of slavery in the 19th century deep South, you're going to hear the word "Nigger" in that tale. Often. Be assured though that just as Inglourious Basterds was a revenge fantasy of the downtrodden Jewish war refugees over the stupidly evil Nazi Germans, this is a tale of empowerment of the enslaved black man over his sadistic, pig-ignorant white overseers.

If you like Tarantino, you'll probably like Django Unchained. If you like Westerns (and the blood-drenched Spaghetti Westerns of the late sixties in particular), you'll probably like Django Unchained. If, like me, you're an admirer of both Tarantino AND westerns, this is a no-brainer. Get and see it, it's a blast.

I'd like to have seen him pull a Gatling gun out of a coffin, though.
A highly entertaining yet disturbing film with superb cast and performances for an audience who would likely never consider watching a film fundamentally about slavery, where Tarantino is masterfully and emphatically navigating and exposing the complex layers of the violent and dehumanizing system of slavery.
**ENTERTAINING from start to finish !!**

Given I am a big fan of **Quentin's** works i knew this movie would be a treat to watch.But what i didn't know was violence can be so **COOL**... The movie is a treat to watch(including the blood and gore) from starting to end.The acting is superb.And the cinematography is just too good! The whole cast played their parts to perfection...Especially **Samuel L. Jackson** and **Jamie Foxx**..**Leo and Christopher Waltz** were superb too..And as Christopher said in the movie - "It was hard to RESIST".A must watch for everyone who likes QUALITY cinema..Even the ones who cant stand BOOMs and BANGs, you wouldn't regret spending about 3 hours watching this well written, well directed and well acted GREAT movie !!
This is one of the best movies I have watched in a long time. It is a pure Tarantino blast. The somewhat unexpected and quite hilarious start of the movie catches your attention from the start and from then on it is 3 hours (almost) of pure enjoyment.

The main actors are playing their roles very well. The Dr. King Schultz character (Christop Walz) is incredibly funny without being ridiculous, Jamie Foxx is excellent as Django and Leonardo DiCaprio is doing his role well as a plantation owner and slave trader. None of the rest of the crew stood out as particularly bad. Well with the possible exception of Tarantino himself then when he made his usual in-movie appearance a’ la Hitchcock. Not that he was particularly bad but he is no actor either.

The movie starts of by Dr. Schulz liberating Django and proceeding to a small town showing Django what he is in the business of doing. Those first minutes of the movie are somewhat unexpected and very funny to watch. After that the movie gets more serious as Django gets to learn to be a bounty hunter and finally gets on with his quest to rescue his “Damsel in distress”. It still has quite a bit of “Tarantino humour” sprinkled around in it though.

During the movie we are treated to a long series of stereotypical people with, let us say, an “attitude” towards African people. It is tempting to say “nigger haters” but that would not be true since a lot of these people did not exactly hate them. They just did not consider African people to be people but more than live stock for them to use as they wished. Unlike a lot of movies portraying these events this one never comes across as boringly finger pointing or overly morally lecturing. Nor does it in any way support or glorify the way things were at this time. It is a movie made to entertain set in a period where bad shit happened and using it for the story. Nothing more and nothing less.

As usual with a Tarantino movie there are some violent parts, some more violent parts and some bloody violent parts in it. The ending fights are a glorious show of destruction and blood splatter. I am sure some people are complaining about the “unnecessary violence”. I am not one of those people. Without these parts it would not be a real Tarantino movie. As always it is made with the usual exaggeration that Tarantino is so good and which reminds you that it is “only a movie”.
This is one of the few movies that I have given 10 out of 10 stars in a very long time. I enjoyed it immensely.
When Django is unchained (pronounced JANG-oh, not Duh-JANG-oh)

Released in 2012 and directed & written by Quentin Tarantino, "Django Unchained" stars Christoph Waltz as an ex-dentist who befriends an ex-slave, Django (Jamie Foxx) in West Texas a couple of years before the Civil War; they team-up as bounty hunters once they realize how good they jell. The second half focuses on their attempt to infiltrate a Mississippi plantation owned by pompous Southerner "Monsieur" Candie (Leonardo DiCaprio) in order to rescue Django's wife (Kerry Washington). Samuel L. Jackson plays Candie's overly loyal house slave.

This is an excellent American Western with Spaghetti Western elements featuring Tarantino's typical artistic flourishes. It takes place in the West AND in the South, which is reminiscent of the underrated "Nevada Smith" (1966), one of my favorite Westerns. Waltz is magnetic as the nonchalant protagonist and he & Foxx have good chemistry. There's a nice mix of interesting dialogues, amusing moments and over-the-top action. Unfortunately, but to be expected, Tarantino goes overboard with the 'n' word and the blood-letting, the latter to the point of cartoonish-ness.

Nevertheless, this is an original Western that is vibrant with creativity, including stunning locations, cinematography and a great amalgamated soundtrack/score, which includes cuts by Ennio Morricone, like the excellent "Hornets' Nest," the imaginative "The Braying Mule" and the moving "Ancora Qui." It's all-around superior to "The Hateful Eight" (2015) because it's not limited by a one-room whodunit plot (although "Hateful" has its unique points of interest).

The movie runs 165 minutes and was shot in Jackson Hole, Wyoming; Evergreen Plantation & New Orleans, Louisiana; and several locations in California (Lone Pine, Alabama Hills, Semi Valley, Melody Ranch, Santa Clarita, Independence & Los Angeles). The cast includes numerous peripheral notables, e.g. Ato Essandohs, Don Stroud, James Remar, Bruce Dern, Ato Essandoh, Franco Nero, Don Johnson, Amber Tamblyn and several others.

GRADE: A

Movie Title	Miss You Already
Time	152 minute
Release	2015-09-12
Quality	DTS 1080p BRRip
Categories	Comedy, Drama
speech	English
castname	Sehr D. Giselle, Nayema I. Lydie, Herman P. Sadia

[HD] [Watch] Miss You Already 4k Blu Ray 2015

Film kurz

Spent : $847,333,374

Income : $687,331,766

category : Kurzer Rock - Schreiben , Cartoon - Unabhängigkeit , Glaube - Trennung , Wissen - Sommer

Production Country : Äthiopien

Production : Komuna

Movie Title	Divergent
Time	121 minutes
Release	2014-03-14
Quality	DTS 1080p HDRip
Categorie	Action, Adventure, Science Fiction
language	English
castname	Nishma G. Araya, Ashai B. Cecilia, Kaydan S. Maemi

[HD] [Watch] Divergent 4k Blu Ray 2014

Film kurz

Spent : $216,569,769

Revenue : $451,055,603

categories : Film Animation - Potes , Zoologie - Super Heroes gesunder Menschenverstand , dumm - Women , Medizin - Werbung

Production Country : Madagaskar

Production : Turbulent Vision



I should probably mention right away that I have not read the book-trilogy that this movie is based on. Given the content matter I might actually have liked the books. The movie? Well to me the movie was a rather mediocre one. As the blurb states the story is set in a dystopian future but we do not really get to know how they got there except the standard explanation that “there was a war”. The world is a bizarre mixture of primitive post-apocalypse living and modern, futuristic tech. The division of people into factions…well to me it felt pretty dumb to begin with and the idea that some people could not possibly fit into more than one faction was absolutely ludicrous to me. How the hell was it supposed to keep peace by deliberately factioning people against each other?

Okay, trying to get over these gripes, what about the rest of the movie. Well it was okayish I guess. It did give me the same feeling as when reading a young-adult book and I would say that this movie is most suitable for a younger audience. The story is rather predictable. There is the initial training part where Tris of course gets a few friends and in particular befriends one of her tutors. Not surprisingly there is also the obligatory jerk. The one thing that makes the movie a bit out of the ordinary are the induced dream sequences which are not too bad.

Later in the movie Tris starts to discover the plot of the bad guys and of course goes off to save the day. Again these part are simple and predictable. The ease by which Tris and a few of her friends manages to infiltrate the lab/headquarters of the baddies is rather unbelievable. It of course helps that it seems like it is only the good guys who can shoot straight or fight worth a damned with a few occasional exceptions when the script calls for it.

The movie is, as far as I understand it, based only on the first book in the trilogy so it is perhaps not very surprising that it ends with a lot of loose ends but, for Christ sake, they fight their way to stop the plot, taking down a lot of people on their way, and then they leave the chief mastermind of this despicable plot lying unconscious but alive on the floor just taking off. That just felt dumb!

It is not a bad bad movie but I do not understand the high ratings some people seem to give it.
Remedial Dystopia

I'm not a big fan of YA lit. Nothing like it when I was young. I grew up with Kesey, Huxley, Salinger, Dickens and The Who. I probably would have liked a steady diet of teen vampires and young dystopians. I would have loved my comic book heroes on the big screen in 3D. And video games and smart phones and search engines. Oh to be a millenial!

I was introduced to a truckload of Young Adult Lit during English Ed studies and found myself wanting to read _Catcher in the Rye_ all over again. There was just something really amateurish and disposable about these novellas. Like the authors weren't fully-developed writers. Nor am I all that interested in movies adapted from these novels, unless they are packed with talent (_The Hunger Games_), or star someone I just can't get enough of. That someone at the moment is Shailene Woodley. A young woman who is just oozing talent. She has that authentic, subdued strain of self-consciousness, it makes you forget she's in a movie. In fact, her focus seems to come so unassumingly natural I wonder if she even knows she's in a movie.

I watched _The Fault in Our Stars_, The Spectacular Now and _Divergent_ in succession. _Divergent_ is getting short-changed by the same critics who praise _The Hunger Games_. Yes, it's simplistic, essentially a shallow allegory. Factions representing classes, institutions and vocations. The coercion of the Dauntless by the Erudite as a military coup. And rebellious adolescents as heroic Divergents. But if this gets kids even remotely interested in politics and the social sciences, I'm all for it. I'd prefer this to bare-chested werewolves and forest warfare. Then again, there's no defending _Divergent_ if it weren't for Woodley's splendid presence. Her inner strength mixing in with her vulnerability. She provides the suspense, as we are always awaiting her next reaction. Makes me wonder how she'll develop in the years to come? As well as Kate Winslow has I'm sure.
Well, it seems we needed a clone of The Hunger Games because, you know, they give too much money to ignore.

Stupid and foreseeable story with the typical action, romance and WTFs moments.

Just ignore the whole saga.
I decided since this was my mother's 75th birthday to check out the first of the 'Divergent' series, since I love Kate Winslet and Ashley Judd, and Neil Burger's earlier 'Limitless' was intriguing and decent for recent sci-fi. Unfortunately the actors playing the main protagonists and the special effects were atrocious, the paper-thin plot was resoundingly predictable and I couldn't wait till it ended.

Definitely one Burger that was way overdone.

Of course Hollywood garbage like this produces a ton of sequels, while much better and original projects get kicked to the gutter.