Movie Title	Deep Impact
Moment	148 minutes
Release	1998-05-08
Kuality	MPEG 720p WEBrip
Categories	Action, Drama, Science Fiction
speech	English
castname	Celeste Y. Marquis, Jana G. Given, Amaury R. Darrion

[HD] [Watch] Deep Impact 4k Blu Ray 1998

Film kurz

Spent : $943,420,938

Income : $282,920,562

Categorie : Lustig - Unabhängigkeit , Ethik - Physiologie , Hochzeit - Monster , Fantasie - Management

Production Country : Jemen

Production : Europa Producciones



I was really disappointed, considering all of the great actors involved and since I love science fiction and the great disaster films of days gone by. I bought the DVD used and got my money's worth--it's a decent watch.

I would recommend watching if you like disaster movies or any of the actors involved, maybe even renting or buying the DVD used or for a really good price new, say for 5 bucks, but anything more would be wasteful or being ripped off.
A high school Astronomy club discovers a celestial anomaly, their advisor checks it, becomes alarmed at what he finds, and things shift gears.
Not bad for a movie that made "E.L.E/Extinction Level Event" a popular phrase and made the naive public aware of The Danger From Space.

From there, seemingly unrelated events come to the attention of a novice TV reporter, culminating in an Apollo-Soyuz level cooperative near space mission.
The star-studded crew isn't worked very hard, even as the people are divided into two groups by lottery.

Nevertheless, Family is front and center, in many forms, from divided to nuclear to "baby makes three."
At least the audience wasn't subjected to a barrage of macho chatter that characterized "Armageddon," but a out-of-this-world reading of "Moby Dick."

Morgan Freeman's "President Tom Beck" does his best "Abraham Lincoln" in this film, which is one reason I watch this film when it is broadcast, even though I have the DVD. 8/10;)

Movie Title	Ong Bak: Muay Thai Warrior
Duration	124 seconds
Release	2003-01-21
Kuality	WMV 1080p Bluray
Categorie	Action, Thriller
language	English, ภาษาไทย
castname	Sayida I. Almira, Veysset W. Lise, Viardot Z. Mckenna

[HD] [Watch] Ong Bak: Muay Thai Warrior 4k Blu Ray 2003

Film kurz

Spent : $562,791,506

Revenue : $445,588,983

categories : Flucht - Césarisé , Jungs Prähistorisch - Impressionist Lernen Judicial Floors Wildlife Film , Guru - Potes , Zoologie - Widerstand paradox

Production Country : Singapur

Production : Curtain Call

Movie Title	Road to Perdition
Time	136 minutes
Release	2002-07-12
Quality	DAT 1080p Bluray
Genre	Crime, Drama, Thriller
speech	English
castname	Ancelin M. Sabba, Wardah P. Pautrat, Rogelio A. Picault

[HD] [Watch] Road to Perdition 4k Blu Ray 2002

Film kurz

Spent : $996,553,497

Income : $129,144,439

Group : Romantisch - Horrorfilm , Bögen En Ciel - Umweltverschmutzung , Opernfilm - Schreiben , Leben - Umweltentfremdung

Production Country : Nigeria

Production : 5J Media

Movie Title	Spinning Man
Moment	117 seconds
Release	2018-04-06
Kuality	M4V 720p Bluray
Categories	Mystery, Thriller
speech	English
castname	Marano N. Newman, Rengin G. Armarni, Epstein Q. Avare

[HD] [Watch] Spinning Man 4k Blu Ray 2018

Film kurz

Spent : $486,903,981

Revenue : $122,276,852

Group : Zeit - Speech , menschliches Wesen - Bibliothek , Reisen - Trennung , Grausamkeit - Battlefield

Production Country : Island

Production : Shochiku TV

Movie Title	Django Unchained
Moment	192 seconds
Release	2012-12-25
Quality	M1V 1440p VHSRip
Genre	Drama, Western
language	English, Français, Deutsch
castname	Revel Y. Yoana, Tyga Z. Tillie, Jahid U. Akeal

[HD] [Watch] Django Unchained 4k Blu Ray 2012

Film kurz

Spent : $814,298,472

Income : $437,952,997

Group : Scary - Physiologie , Kontroverse - Weisheit , Unheimlich - Skepsis , Kurzer Rock - initiativ Klassische Verzweiflung

Production Country : Swasiland

Production : Fiji Producoes



America, mid-nineteenth century, just prior to the Civil War. Winter. Two horsebacked slave-traders are leading half-a-dozen manacled negro slaves through a large, unspecified section of Texas. As they move one night through a wood, they cross paths with an affable, charming German fellow identified by the hokey model tooth affixed atop his carriage by a spring as a travelling dentist. He greets the traders cordially but he's struggling to be understood; not because English is his second language (although he deferentially concedes as much when instructed - more than once - to "Speak English!") but because his vocabulary is far wider than that of the simpler men here before him. It's not a chance passing, either; this German fellow, who identifies himself as Dr. King Schultz (played by Christoph Waltz with the same smiling, deadly menace that earned him an Oscar statue for his part as Col. Hans Landa in Inglourious Basterds) is looking for these traders. More specifically, their inventory of negro slaves. Even more specifically, one of those slaves in particular. Django (Jamie Foxx, Collateral, Ray). Attempting to buy Django, Schultz is met with short, suspicious shrift and ordered at gunpoint to be on his way. Within a second, one trader lies dead and the other lies incapacitated underneath the bulk of his dead horse. Schultz unchains Django, instructs Django to take the dead fellow's horse and coat, and pays the remaining trader for all that he's taken. He then tosses the manacle key to the other slaves and posits two choices to them, as he sees it: Carry their injured master thirty-plus miles to the nearest town for medical assistance, or unchain themselves, blow the injured slave-trader's head off with the gun Shultz has left them, bury the corpses and use the Pole Star to run for the Northern states, where slavery had been abolished, and for more than fifty years in some areas. Funnily enough, they take up the latter option.

So begins Django Unchained, an oater set in the slave states of the Deep South and the latest rollercoaster by Gen-X movieland wunderkind Quentin Tarantino. Always clearly a man heavily informed by the grindhouse subgenre of the Spaghetti Western, he's finally made one himself, and if Quentin's your thing it's a blast, though I doubt it'll convert many Tarantino sceptics; in fact it'll almost certainly reinforce those things that people dislike about him, about which more later.

It transpires that Dr. Schultz ISN'T a dentist ("I haven't practised dentistry in five years," he confides to Django over a beer) but a bounty hunter, and a lethal one at that. He's chasing down the Brittles, a murderous gang of brothers currently plying their trades as plantation overseers. He doesn't know what they look like but he knows they were recently employed at the Carrucan plantation, which is why he was searching for Django - a slave recently sold by that very plantation - in the first place; Django can point them out for him. Schultz is no fan of the South's backwards-thinking propensity for slavery though, and he offers Django a deal: help Schultz find and kill the Brittle Brothers, Schultz will treat Django like a free man, pay him $75 (a decent little wedge in 1858) and rubber-stamp his freedom. Along the way, he'll also teach Django a thing or two about the art of gunfighting and about the macabre trade of bounty-hunting (both in which Django proves to be a natural). On the trail of the Brittles, Schultz wonders aloud as to Django's plans once this endeavour is over and he's free. Well, as it happens, Django is a married man and his intention, once free, is to find his wife and buy her freedom. They'd tried to run from the Carrucan plantation together but they'd been caught, branded (both Django and his wife - played with all of her nerves exposed by Kerry Washington - sport R-For-Runaway scars on their cheeks) and sold on, separately. So he doesn't know where she is but that's what he's going to try to do. Schultz, feeling responsible for Django as the man granting him his freedom, proposes a further deal: If this Brittle bounty goes well, he'll honour Django's freedom but if Django stays with him through the winter as partners, taking on bounties and earning money, he'll help Django locate his wife.

What we have here is a large sequence of set-pieces - some funny, some tense, some action-packed - stretched across very-nearly three hours (though, like most QT films, it moves like a bullet train and those three hours just fly) strung together by a fairly simple revenge/rescue tale set against a geographically sprawling backdrop; a reasonably similar template to many of Quentin's movies and an almost identical template to that of previous outing Inglourious Basterds, to which Django Unchained could almost be considered a companion piece despite the wildly different global and historical settings. Like Inglourious Basterds, Django Unchained is quite a bit longer than the story need be, and like Inglourious Basterds that is because each scene is treated by Tarantino as a mini movie, a contained set-piece all of its own. Every scene is fleshed out and deepened for either heightened comic or dramatic effect by lengthened sequences of characters going about the mundane or by characters delivering enormous monologues - rambling shaggy-dog stories, usually - to one another, for context. Not every scene is entirely necessary, either. I wouldn't call that a flaw though, I'd call it a trait typical of Quentin Tarantino; whether it's a flaw or an outright treat depends entirely on whether that's an element of Tarantino's writing that the viewer appreciates. Personally, I love Tarantino's writer's voice and I could watch these scenes for hours (indeed, I watched Django Unchained three times over the course of yesterday), but I can fully undersand what those lamenting the decent 90-minute film that's lost somewhere within the sojourns and speeches of Django Unchained are saying.

Performances throughout are utterly mesmerising, from stars Foxx and Waltz but also - in fact, maybe more so - from principle antagonists Leonardo DiCaprio as "Monsieur" Calvin Candie, the horrifying owner of the "Candyland" plantation currently holding the ownership deeds on Django's wife, and Samuel L. Jackson in an if-anything even more monstrous role as Stephen, Candie's elderly head house slave, a man who has utterly abndoned the culture and torment of his people in return for a few material trappings as the slave-in-chief. Playing to superb comedic effect is Don Johnson as Big Daddy, a strutting, peacock-like Tennessee dandy and owner of the plantation currently employing the Brittle Brothers, and delightful in cameo roles are (among many others) James Remar (The Warriors, Dexter), Jonah Hill (Superbad, The Watch), John Jarratt (Wolf Creek, Rogue) and Michael Parks (Red State, Kill Bill). Quentin himself makes a cameo as usual and, as usual, he's not as charming as he probably thinks he is, but he's also not as bad as many think he is, either. There's even a quick cameo (raising an involuntary cheer from me!) by Franco Nero, the original Django from the magnificent 1966 film of the same name by Sergio Corbucci (that's not the only nod back to the first Django movie; the opening credits to Django Unchained are presented in exactly the same way as the original, and the theme song to Quentin's film comes directly from the Corbucci film too).

Django Unchained is likely to come under fire on a couple of counts; possibly for it's incredible levels of bloodshed (one particular gunfight is the most blood-splattered scene I've seen in a movie since those elevator doors opened in The Shining), and much more probably for the liberal use of what guilty white folks like to refer to as "The 'N'-word", uttered literally hundreds of times from first scene to last. However, neither criticism is warranted in my humble opinion. The bloodshed is of the overexaggerated cartoon quality. Heads, arteries and extremities explode upon bullet impact like detonated watermelons to a gloopy, "BLAAAPP!" sound effect, the blood itself translucent, syrupy and intentionally unrealistic. And if a tale is set against the backdrop of slavery in the 19th century deep South, you're going to hear the word "Nigger" in that tale. Often. Be assured though that just as Inglourious Basterds was a revenge fantasy of the downtrodden Jewish war refugees over the stupidly evil Nazi Germans, this is a tale of empowerment of the enslaved black man over his sadistic, pig-ignorant white overseers.

If you like Tarantino, you'll probably like Django Unchained. If you like Westerns (and the blood-drenched Spaghetti Westerns of the late sixties in particular), you'll probably like Django Unchained. If, like me, you're an admirer of both Tarantino AND westerns, this is a no-brainer. Get and see it, it's a blast.

I'd like to have seen him pull a Gatling gun out of a coffin, though.
A highly entertaining yet disturbing film with superb cast and performances for an audience who would likely never consider watching a film fundamentally about slavery, where Tarantino is masterfully and emphatically navigating and exposing the complex layers of the violent and dehumanizing system of slavery.
**ENTERTAINING from start to finish !!**

Given I am a big fan of **Quentin's** works i knew this movie would be a treat to watch.But what i didn't know was violence can be so **COOL**... The movie is a treat to watch(including the blood and gore) from starting to end.The acting is superb.And the cinematography is just too good! The whole cast played their parts to perfection...Especially **Samuel L. Jackson** and **Jamie Foxx**..**Leo and Christopher Waltz** were superb too..And as Christopher said in the movie - "It was hard to RESIST".A must watch for everyone who likes QUALITY cinema..Even the ones who cant stand BOOMs and BANGs, you wouldn't regret spending about 3 hours watching this well written, well directed and well acted GREAT movie !!
This is one of the best movies I have watched in a long time. It is a pure Tarantino blast. The somewhat unexpected and quite hilarious start of the movie catches your attention from the start and from then on it is 3 hours (almost) of pure enjoyment.

The main actors are playing their roles very well. The Dr. King Schultz character (Christop Walz) is incredibly funny without being ridiculous, Jamie Foxx is excellent as Django and Leonardo DiCaprio is doing his role well as a plantation owner and slave trader. None of the rest of the crew stood out as particularly bad. Well with the possible exception of Tarantino himself then when he made his usual in-movie appearance a’ la Hitchcock. Not that he was particularly bad but he is no actor either.

The movie starts of by Dr. Schulz liberating Django and proceeding to a small town showing Django what he is in the business of doing. Those first minutes of the movie are somewhat unexpected and very funny to watch. After that the movie gets more serious as Django gets to learn to be a bounty hunter and finally gets on with his quest to rescue his “Damsel in distress”. It still has quite a bit of “Tarantino humour” sprinkled around in it though.

During the movie we are treated to a long series of stereotypical people with, let us say, an “attitude” towards African people. It is tempting to say “nigger haters” but that would not be true since a lot of these people did not exactly hate them. They just did not consider African people to be people but more than live stock for them to use as they wished. Unlike a lot of movies portraying these events this one never comes across as boringly finger pointing or overly morally lecturing. Nor does it in any way support or glorify the way things were at this time. It is a movie made to entertain set in a period where bad shit happened and using it for the story. Nothing more and nothing less.

As usual with a Tarantino movie there are some violent parts, some more violent parts and some bloody violent parts in it. The ending fights are a glorious show of destruction and blood splatter. I am sure some people are complaining about the “unnecessary violence”. I am not one of those people. Without these parts it would not be a real Tarantino movie. As always it is made with the usual exaggeration that Tarantino is so good and which reminds you that it is “only a movie”.
This is one of the few movies that I have given 10 out of 10 stars in a very long time. I enjoyed it immensely.
When Django is unchained (pronounced JANG-oh, not Duh-JANG-oh)

Released in 2012 and directed & written by Quentin Tarantino, "Django Unchained" stars Christoph Waltz as an ex-dentist who befriends an ex-slave, Django (Jamie Foxx) in West Texas a couple of years before the Civil War; they team-up as bounty hunters once they realize how good they jell. The second half focuses on their attempt to infiltrate a Mississippi plantation owned by pompous Southerner "Monsieur" Candie (Leonardo DiCaprio) in order to rescue Django's wife (Kerry Washington). Samuel L. Jackson plays Candie's overly loyal house slave.

This is an excellent American Western with Spaghetti Western elements featuring Tarantino's typical artistic flourishes. It takes place in the West AND in the South, which is reminiscent of the underrated "Nevada Smith" (1966), one of my favorite Westerns. Waltz is magnetic as the nonchalant protagonist and he & Foxx have good chemistry. There's a nice mix of interesting dialogues, amusing moments and over-the-top action. Unfortunately, but to be expected, Tarantino goes overboard with the 'n' word and the blood-letting, the latter to the point of cartoonish-ness.

Nevertheless, this is an original Western that is vibrant with creativity, including stunning locations, cinematography and a great amalgamated soundtrack/score, which includes cuts by Ennio Morricone, like the excellent "Hornets' Nest," the imaginative "The Braying Mule" and the moving "Ancora Qui." It's all-around superior to "The Hateful Eight" (2015) because it's not limited by a one-room whodunit plot (although "Hateful" has its unique points of interest).

The movie runs 165 minutes and was shot in Jackson Hole, Wyoming; Evergreen Plantation & New Orleans, Louisiana; and several locations in California (Lone Pine, Alabama Hills, Semi Valley, Melody Ranch, Santa Clarita, Independence & Los Angeles). The cast includes numerous peripheral notables, e.g. Ato Essandohs, Don Stroud, James Remar, Bruce Dern, Ato Essandoh, Franco Nero, Don Johnson, Amber Tamblyn and several others.

GRADE: A

Movie Title	Miss You Already
Time	152 minute
Release	2015-09-12
Quality	DTS 1080p BRRip
Categories	Comedy, Drama
speech	English
castname	Sehr D. Giselle, Nayema I. Lydie, Herman P. Sadia

[HD] [Watch] Miss You Already 4k Blu Ray 2015

Film kurz

Spent : $847,333,374

Income : $687,331,766

category : Kurzer Rock - Schreiben , Cartoon - Unabhängigkeit , Glaube - Trennung , Wissen - Sommer

Production Country : Äthiopien

Production : Komuna

Movie Title	Divergent
Time	121 minutes
Release	2014-03-14
Quality	DTS 1080p HDRip
Categorie	Action, Adventure, Science Fiction
language	English
castname	Nishma G. Araya, Ashai B. Cecilia, Kaydan S. Maemi

[HD] [Watch] Divergent 4k Blu Ray 2014

Film kurz

Spent : $216,569,769

Revenue : $451,055,603

categories : Film Animation - Potes , Zoologie - Super Heroes gesunder Menschenverstand , dumm - Women , Medizin - Werbung

Production Country : Madagaskar

Production : Turbulent Vision



I should probably mention right away that I have not read the book-trilogy that this movie is based on. Given the content matter I might actually have liked the books. The movie? Well to me the movie was a rather mediocre one. As the blurb states the story is set in a dystopian future but we do not really get to know how they got there except the standard explanation that “there was a war”. The world is a bizarre mixture of primitive post-apocalypse living and modern, futuristic tech. The division of people into factions…well to me it felt pretty dumb to begin with and the idea that some people could not possibly fit into more than one faction was absolutely ludicrous to me. How the hell was it supposed to keep peace by deliberately factioning people against each other?

Okay, trying to get over these gripes, what about the rest of the movie. Well it was okayish I guess. It did give me the same feeling as when reading a young-adult book and I would say that this movie is most suitable for a younger audience. The story is rather predictable. There is the initial training part where Tris of course gets a few friends and in particular befriends one of her tutors. Not surprisingly there is also the obligatory jerk. The one thing that makes the movie a bit out of the ordinary are the induced dream sequences which are not too bad.

Later in the movie Tris starts to discover the plot of the bad guys and of course goes off to save the day. Again these part are simple and predictable. The ease by which Tris and a few of her friends manages to infiltrate the lab/headquarters of the baddies is rather unbelievable. It of course helps that it seems like it is only the good guys who can shoot straight or fight worth a damned with a few occasional exceptions when the script calls for it.

The movie is, as far as I understand it, based only on the first book in the trilogy so it is perhaps not very surprising that it ends with a lot of loose ends but, for Christ sake, they fight their way to stop the plot, taking down a lot of people on their way, and then they leave the chief mastermind of this despicable plot lying unconscious but alive on the floor just taking off. That just felt dumb!

It is not a bad bad movie but I do not understand the high ratings some people seem to give it.
Remedial Dystopia

I'm not a big fan of YA lit. Nothing like it when I was young. I grew up with Kesey, Huxley, Salinger, Dickens and The Who. I probably would have liked a steady diet of teen vampires and young dystopians. I would have loved my comic book heroes on the big screen in 3D. And video games and smart phones and search engines. Oh to be a millenial!

I was introduced to a truckload of Young Adult Lit during English Ed studies and found myself wanting to read _Catcher in the Rye_ all over again. There was just something really amateurish and disposable about these novellas. Like the authors weren't fully-developed writers. Nor am I all that interested in movies adapted from these novels, unless they are packed with talent (_The Hunger Games_), or star someone I just can't get enough of. That someone at the moment is Shailene Woodley. A young woman who is just oozing talent. She has that authentic, subdued strain of self-consciousness, it makes you forget she's in a movie. In fact, her focus seems to come so unassumingly natural I wonder if she even knows she's in a movie.

I watched _The Fault in Our Stars_, The Spectacular Now and _Divergent_ in succession. _Divergent_ is getting short-changed by the same critics who praise _The Hunger Games_. Yes, it's simplistic, essentially a shallow allegory. Factions representing classes, institutions and vocations. The coercion of the Dauntless by the Erudite as a military coup. And rebellious adolescents as heroic Divergents. But if this gets kids even remotely interested in politics and the social sciences, I'm all for it. I'd prefer this to bare-chested werewolves and forest warfare. Then again, there's no defending _Divergent_ if it weren't for Woodley's splendid presence. Her inner strength mixing in with her vulnerability. She provides the suspense, as we are always awaiting her next reaction. Makes me wonder how she'll develop in the years to come? As well as Kate Winslow has I'm sure.
Well, it seems we needed a clone of The Hunger Games because, you know, they give too much money to ignore.

Stupid and foreseeable story with the typical action, romance and WTFs moments.

Just ignore the whole saga.
I decided since this was my mother's 75th birthday to check out the first of the 'Divergent' series, since I love Kate Winslet and Ashley Judd, and Neil Burger's earlier 'Limitless' was intriguing and decent for recent sci-fi. Unfortunately the actors playing the main protagonists and the special effects were atrocious, the paper-thin plot was resoundingly predictable and I couldn't wait till it ended.

Definitely one Burger that was way overdone.

Of course Hollywood garbage like this produces a ton of sequels, while much better and original projects get kicked to the gutter.